HISTORY

FEATURES: Only medieval cathedral with three spires, remains of fortifications and once having a wet moat. Significant pilgrimage centre from early times. Owns the best kept sculpted Anglo-Saxon stonework in Europe. Has early 8th century Gospels. Extraordinary foundation remains to the second cathedral were probably built by King Offa. Once had the most sumptuous shrine in medieval England. Suffered three Civil War sieges resulting in considerable destruction.

Dates.

DATES. 656, first Bishop of Mercia. 669, first Bishop of Lichfield. 8th century shrine tower. Second cathedral could be 8th century, but needs determining. Third Gothic Cathedral, early 13th to 14th century. 1643 to 46, Civil War destruction. Extensive rebuild and refashioned, 1854-1908. Worship on this site started in 669, 1355 years ago.

Friday, 2 September 2022

Why the second cathedral must be Early Medieval.

 Abstract.  The foundation for the second cathedral was found in 1854 and immediately considered to be Norman. Its size, shape, structure, coating of plaster and dimensions all point to it being Early Medieval (Anglo-Saxon). Radiocarbon dating of the mortar would give resolution on the age of the cathedral. The foundation is a mere 300 mm below the floor of the choir aisle floor and extracting two samples and having them dated would cost around £2.5K.    

    In 1851, plans were made for extensive restoration of the cathedral including the installation of a heating system. Between 1856 and 1860, the floors of the choir area and side aisles were lifted to build brick flues which would carry heated air. In the course of the work foundations for two earlier buildings were revealed. A detailed survey of the foundation walls was made by the stonemason John Hamlet with assistance given by James Rawson a local physician and George Clarke, the clerk of works to George Gilbert Scott the architect for the restoration. A large drawing showed a well-defined, large choir foundation wall continuous with an apsidal ending. Abutted, but not attached, to this apsidal ending was a rectangular chapel.[1] Revd Robert Willis, 1800–75, an authority on church architecture, visited the Cathedral for two days in August 1859.[2] He saw the foundations resting on the sandstone bedrock 1.5‑2.1 m (5–7 ft) below the pavement of the side aisles of the current cathedral, took measurements, made observations, and published his interpretation in 1861.[3] 

 

Foundation of the choir-apse and abutting chamber superimposed on the plan of the current cathedral.

 

Robert Willis
  
Choir in 1860 with its floor uncovered


                                          Willis’s drawing of the choir-apse foundation with dimensions

 

The remarkable size of the choir-apse foundation was too great to have sustained a roof without internal pillars, so Willis imagined it had an inner apse of pier arches supporting the roof. Willis found ‘no architectural detail’ to fix a date of build for the foundation and concluded it was of ‘uncertain date’. Despite this he called it a Norman church, presumably reasoning such a large choir-apse in stone would be extraordinary for an Anglo-Saxon (now known as Englisc or Early Medieval) building. There was nothing comparable. The foundation was internally 15.9 m (52 ft 3 in.) wide and 21.4 m (70 ft 1.5 in.) long. The outer boundary of its lateral walls ‘seemed to lie’ in contact with the bench table of the side aisles of the current cathedral.[4] Both the north and south walls measured 1.7 m (5 ft 8.5 in.) in width which gave a total span for the choir-apse of 19.4 m (63 ft 8 in.). Willis measured the foundation height as c. 1.8 m (6 ft).

In the 1990s, part of the foundation was seen again and its exceptional size merited the labels ‘massive’ and ‘a great apse’. Rodwell fixed a start of build in 1085 and described it as Norman Romanesque in style.[5] Willis had conjectured the inner columns were wood, but Rodwell saw them as drum columns, 1.5 m in diameter. Roofing material has not been found apart from small amounts of Roman brick and tile,[6] which could have come from the first 7th-century cathedral.[7]

 

                          Photograph taken 1994 of the foundation in the north choir aisle.

 

The nature of the foundation was atypical, being well mortared, buff-cream, dense, and described as like concrete. During the 1856 installation of heating ducts, men had to force a way through concrete of ‘unusual hardness’.[8] Willis noted the wall had rough masonry in courses about 150 mm (6 in.) high. He thought the external face ‘appeared intended to receive a coat of plaster’. Rodwell described the lower levels as layers of mortared rubble. The upper layers were faced with rough ashlar behind which was a poured concrete core, of such strength that it was assiduously avoided by grave-diggers of all periods. It was an immensely strong monolithic construction comprising lime mortar and rubble poured into a trench.[9] It was like a section of an apse uncovered at Rochester, part of an early-7th-century Anglo-Saxon church.[10]  The use of rubble in the foundation resembled Clapham’s description of the early-9th-century crypt at Wing church, Buckinghamshire, in which the whole structure was built of the rudest rubble masonry with barrel vaulting in the same material.[11] Examination of the foundations at Deerhurst found they all contained 5 ft or more of coursed rubble laid in trenches with good mortar. Similarly, the walls at Brixworth contained random rubble.[12] There was no mention of uniform, dressed stone, typical of Anglo-Norman buildings.[13]

A very simple radiocarbon dating of the mortar would give resolution on the age of the cathedral. The foundation is a mere 300 mm below the floor of the choir aisle floor. Extracting two samples and having them dated would cost around £2.5K.

NB. There is a problem with naming the people Saxon or Anglo-Saxon (the preferred title in academic publications in the past). Based on surviving texts, early inhabitants of the region were commonly called englisc and angelcynn. From 410 A.D. when the Romans left to shortly after 1066, the term only appears three times in legal charters in the entire corpus of Old English literature and all in the tenth century. It is now being replaced by 'Early Medieval'.


[1] John Hamlet’s ‘General plan shewing the position of old foundation as discovered during progress of excavations for hot air flues’ is held in the Staffordshire Record Office LD 289/16. The drawing has a few revisions with pen overlaying pencil. Willis’s notes are kept in Cambridge, Cambridge University Library, MS 5042, with the title ‘Architectural drawings and notes of Lichfield Cathedral 1861‑64’. Willis saw only the south east part of the apse. The greatest amount of the foundation wall was observed by Rawson and Hamlet in 1856 and 1860. Map reference for the apse is SK1159 0978 and the chamber is SK1157 0977.

[2]  A. R. Dufty, ‘Lichfield Cathedral’ in The Archaeol. J., 120 Report of the Summer Meeting of the Royal Archaeological Institute at Keele in 1963 (1963), 294.4

[3] R. Willis, ‘On foundations of early buildings recently discovered in Lichfield Cathedral’ The Archaeol. J. (1861) 18, 1–24. Willis visited the Cathedral in 1849 to examine window tracery. In 1854, he was invited to forward a drawing for the restoration of the choir area. Before publication Willis gave a lecture reported in The Gentleman’s Magazine, March 1861, vol 210, 296‑300.

[4] ‘Seemed to lie’ was Willis’s phrase. The gap between the lateral wall and cathedral wall is estimated to be

 c. 180 mm (7 in.). Hamlet’s drawing showed the bottom of the foundation was wider than the top.

[5] Fragments of moulded masonry identified as Romanesque were found Rodwell 1992a, 29; R. K. Morris, ‘The lapidary collections of Lichfield Cathedral’, in J. Maddison ed., 13th Medieval Archaeology and Architecture at Lichfield (Leeds: The British Archaeological Association 1993), 101–108; Rodwell 1994, 29.

[6] Rodwell 1992a, 28

[7] Hamlet noted on his drawing a clay pit that contained a quantity of molten lead. Was this for the roof?

[8] J. G. Lonsdale, Recollections of work done in and upon Lichfield Cathedral from 1856—1894 (Lichfield 1895), 6.

[9] W. Rodwell, ‘An interim report on archaeological excavations in the south quire aisle of Lichfield Cathedral’, (Unpub. report held in Lichfield Cathedral Library 1992b), 4; W. Rodwell, J. Hawkes, E. Howe and R. Cramp, ‘The Lichfield Angel: A spectacular Anglo-Saxon painted sculpture.’ The Antiquaries Journal (2008), 88, 51 note 24.

[10] G. M. Livett, ‘Foundations of the Saxon Cathedral Church at Rochester’ Archaeologia Cantiana (1889) 18, 264.

[11] A.W. Clapham, English Romanesque architecture (Oxford 1930), 156.

[12] H. M. Taylor, Anglo-Saxon architecture: vol III (Cambridge 1978), 761 and 964.

[13] H. M. Taylor and J. Taylor, Anglo-Saxon architecture: vols I and II (Cambridge 1965), 7 and 1978, 756.

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