King Richard II was born in1366 in the Archbishop’s Palace of Bordeaux in Aquitaine (an area covering much of central and southwest France) and died in1400 in Pontefract Castle, He reigned from 1377 to 1399 and was a frequent visitor to Lichfield.
Richard
II from the Wilton Diptych. Kneeling in prayer would have been an appropriate
pose for Richard. Wikimedia Public Domain
Richard Scrope was a papal chaplain
and an auditor to the Curia in Rome[1] at a
time when much of Europe recognised the alternative pope, Clement VII, residing
in Avignon, south-east France.[2] In 1385,
he was elected Bishop of Chichester, but this was rejected by Richard II. Instead,
on 18 August 1386, the Rome pope Urban VI, promoted him to be the Bishop
of Lichfield and Coventry[3] and consecrated
him on the following day; Richard must have agreed to this elevation.[4] Scrope
was enthroned in Lichfield on 29 June 1387. Richard (aged 21) with Anne of
Bohemia his queen (also aged 21), the Archbishops of York and Dublin and
various earls and knights attended the enthronement. The ceremony was followed
by a huge feast in the bishop's palace,[5] which
must have stretched the resources of the Close. This first visit to Lichfield
must have impressed the young king. It would not be surprising if
Richard at this time, or in his later visits, associated himself with some
architectural feature at Lichfield.[6]
Richard was a keen Christian and supporter of the church.
In the same year,1387, Richard
granted a licence to seven petitioners to amalgamate two pre-existing guilds in
Lichfield. The new guild had a chaplain to pray for the king and his queen and
give a blessing for the bishop. By the late fifteenth century the guild had increased
membership including clergy and notables from the city.
Richard II with orb and sceptre on the west front of the cathedral.
West front drawing from ‘The Builder’, (1891),
February 7, 108–9. It shows a pair of buttress
foundations discovered under the paving outside the west front, probably during
Scott's work in 1850s.[10] The
rubble foundation between the end pillars was revealed in 2000.[11] Was
this part of an outward and inward projecting atrium/narthex?
Photograph of foundation revealed in 2000.
In 1398,
Archbishop Roger Walden ordered celebrations on the feast of St Chad.[12] This
could have been at the behest of Richard and supported by the new Bishop of
Lichfield. It shows Richard’s strong interest in the power of saints and their
intercessory power.[13] It
could go some way to explain why Richard was a frequent visitor to Lichfield.
Richard II at Westminster Abbey in mid-1390s, Wikipedia Public Domain |
.
Richard II by unknown artist, 16th century. Oil painting in the National Portrait Gallery, allowed with thanks.
North-east tower remains.
On arrival in London, 1 September, he was imprisoned in the Tower of London. A commission, including Archbishop Scrope,[16] a friend of Richard, visited the king and agreed (reluctantly?) on his imprisonment. Richard was later moved to Pontefract Castle and died (some say starved to death?) on or around 14 February 1400, aged 34. His interment at the Dominican friary church at Kings Langley in Hertfordshire was conducted by his friend, Bishop John Burghill.[17] Afterwards, Burghill became a great benefactor leaving much to the cathedral, and this was warmly commemorated after his death in 1414.
When the Lady Chapel was built a screen was erected across the cathedral behind the high altar and west of Chad’s shrine. Wyatt found part of the screen when he was joining the choir to the Lady Chapel in 1788.[18] During the Victorian renovation 'a rayed rose and hart' was found on one piece of the old screen and could have been the emblem of Richard and Anne.[19] An inn in Sadler Street was named the White Hart.
Is this the hart emblem
remarked upon by Robert Bridgeman? On the canopy there are several sculpted
roses.
There are a number of 14-century chapter houses, York, Lincoln, Westminster and Salisbury are examples, in which there is a Marian connection. At Lichfield, above the door is a triangular painting of ‘The Assumption of St Mary’. In the bottom right corner stand several ‘Black Friars’, clearly showing their black cappa or cloak above their white habit. This suggests Bishop Burghill arranged this painting and gives a date around 1398–1414. St Mary is surrounded by angels and the two at knee height have adult faces. The one on the left of the painting appears to be wearing a crown. The one on the right appears to be a woman. It would be plausible to assume they are Richard and Anne. Perhaps, then the figure to the bottom left is the dean, Thomas de Stretton. If this is verified, it is a remarkable painting.
Assumption of Mary painting.Revealed in the Victorian removal of limewash.
Figures left and right of Mary. Superimposed is the head of Richard II from The Wilton Diptych.
Richard is positioned on the
right hand of Chad on the west front. He would have liked that.
[1]
He was also a friend, with family connections, with the Earls of
Northumberland, the Percy family.
[2]
The Western Schism. England recognised the Roman pope. Wales, Scotland, France and
Spain did not.
[3]
H.E. Savage, The Church Heritage of Lichfield, Unpub. St Chad’s Day
Address (1914) claimed the title from 1386 was transposed to Bishop of
Lichfield and Coventry. He also stated the electing body at Coventry no longer
existed. The addition of Chester to the title had ceased in 1350. H. Wharton, Anglia
Sacra Volume 1.,(London: 1691), 450, has ‘Ricardus Scrope. Episcopus
Lichfeldensis & Coventrensis. His predecessor Walterus Skirlaw also has
this order, but his predecessor Robertus Stretton (449) gives priority to
Coventry. Richard II must have agreed with this new form of title.
[4]
J. Gould, ‘Lichfield and Richard II’, Staffordshire Archaeological and
Historical Society Transactions, (2001), 39, 16–21, from which much of this
post has been constructed. See also J. Tait, 'Scrope, Richard', Dictionary
of National Biography, li (1897), 144-47. The burgesses of Lichfield appear
not to have accepted Scrope’s elevation especially if decided by the King.
[5]
Lichfield Dean and Chapter Acts Book, i, f. 15v.
[6]
J. Gould (2001), 22. A White Hart is depicted on the timber ceiling of St
Mary’s Hall, Coventry.
[7]
H. Wharton, Anglia Sacra. Volume 1. (London: 1691), 451.
[8]
This description of the ceremony comes from H. E. Savage, Bishop John
Burghull, (note the misspelling), an A. C. Lomax publication (Lichfield:
1924), 1–24. It was taken from the Chapter Acts Book, 52–3.
[9]
Beneath the flagstones outside the west end large door has been found a stone buttress
foundation. It is not known when this atrium (narthex?) was built and
demolished. This is referred to by W. Rodwell, Lichfield Cathedral:
Conservation Plan. Unpub. report in Cathedral library (2006), 5. Rodwell
believed there was a previous large, lower, west front. See also note 7.
[10]
The buttresses are mentioned by W. Rodwell, Notes on the 'gallery' and other
features at the west end of the nave. Unpub. assessment in Cathedral
Library, (1989). Rodwell’s view was they would fit perfectly an early
13th-century west front; and at the same time invite closer comparisons between
Lichfield and Wells.
[11]
W. Rodwell, Revealing the history of the Cathedral: 3. Archaeology in the
nave. Unpub. paper in the Cathedral Library, (2000).
[12]
D. Wikins, Concilia magnae Britanniae et Hiberniae a Synodo Verolamensi. (1737)
Volume 3, 235. See also H. E. Savage, (1924), 5.
[13]
N. Saul, Richard II (New Haven and London: 1997), 142–3.
[14]
Ibid, 393.
[15]
There are some accounts that have Richard escaping from the Archdeacon’s House.
H. E. Savage (1924), see note 10, had Richard imprisoned in the fabled town
Castle in Castle Dyke Street and Frog Lane. T. Harwood, The history and antiquities of the church and city of
Lichfield. (London: 1806), 292, has
him in the south-west tower where there is now Newton’s building. It is
possible there were members of the Close who helped him to escape.
[16]
Some years
later, Scrope opposed Bolingbroke and was beheaded at York.
[17]
Thomae Walsingham Historia Anglicana, ed. H. T. Riley (Rolls Series,
1846), 246.
[18]
J. Britton, The history and antiquities of
the See and cathedral church of Lichfield, (London: 1820) 32. In The carvings of Lichfield Cathedral. (2010),
Cathedral booklet, 11, it is suggested the sedilia either side of the altar
contains part (the canopy) of the 15th-century screen. It is made of Bath
limestone and invites the question of where was it sculpted? Its rich detail
would have been appropriate for being near to Langton’s Lady Chapel.
[19]
See note 3, J. Gould, (2001), 18.