Summary. Bishop Langton left money to have a special shrine made in Paris and to be placed in front of his Lady Chapel. The shrine, c. 1307, consisted of a jewelled stone plinth on which was a model of a church, probably the cathedral, in silver and gold. There might have been a gilded, wooden coped roof to raise up and reveal the shrine. Many small statues surrounded the shrine. It was almost certainly the most sumptuous medieval art, but was desecrated in 1538 with Reformation. A new shrine has been added to the retrochoir and is said to contain one bone of Chad.
At least six shrines for Chad have been described in incomplete form. The first was the original grave site in the nave area described by Bede and later covered with a shrine chest of which the 'Lichfield Angel' is part of the left end. The second was a reliquary chapel which can only loosely be connected with Chad's relics. The third is 'Langton's shrine' in the retroquire and facing the shrine (Lady) chapel at the east end. Then there were three portable shrines, one with a gilded skull, another with his right arm bones and a third with bones in a rectangular box.
Langton’s shrine
On the death of Bishop Langton (1296–1321),
a penny was given to every poor soul in Lichfeld. He was the wealthiest of all
the medieval bishops of Lichfield.[1] He
left money in his will to complete the Lady Chapel (it may have been later
sequestered by Edward II) and he probably made provision for the completion of
the cathedral.[2]
Around 1303, money recorded as £2120, was given to Paris goldsmiths to make a
stone monument for Chad’s new shrine in the retroquire.[3] It
could have been in place by 1307 or 8 (later dates have been given); which was
before the Lady Chapel was built. This rich monument would equal in splendour
with the Crown of Thorns shrine at Sainte-Chapelle, Edward’s tomb in
Westminster Abbey and Becket’s shrine (1220 – 1538) at Canterbury. In one year,
the shrine brought in £400 income from pilgrims.
An inventory of 1445[4]
described a large rectangular jewel-encrusted gilt reliquary in the shape of a
church, presumably the cathedral. The bell tower was surmounted with an
enamelled gilded crucifix. It had cockle shells on its roof, with figures of
saints, St Chad, Mary and probably Michael, on the sides. St Chad was richly
adorned with jewels including a jewelled gold clasp with an image of the
Angelic Salutation and a gold brooch with an image of the lamb of God. There
were two large crystal stones and a block of crystal, a gilded ring and seven
collars. The figure of the Virgin was decorated with nine pearls, three rubies,
and a sapphire. A statue of St Katherine was listed. A gilded collar or
necklace with a pendant portrait of St John the Evangelist was mentioned
together with a pendant with images of swans. The west face had a gold clasp
with an enamelled falcon surrounded by eight clusters of pearls, each with a
diamond. The whole shrine may have had a hood that could be raised and lowered
with a chain, much like Thomas Becket’s shrine, but no record survives. Langton’s
shrine was almost as lavish as Henry III’s shrine for Edward the Confessor, had
similarities to shrines at Rouen, Nivelles and Beverley and would have out
shone most; it is undoubtedly a lost masterpiece of medieval religious art.[5] Lepine
also links the shrine with a 'golden age of translation and remodelling,'
1270-1350 for such saints as Richard at Chichester, Hugh at Lincoln, William at
York, Alban at St Albans and Erkenwald at St Pauls.
Drawing by Revd William Stukeley, 1687–1765, of stonework some say to have been part of Chad’s shrine. It was possibly done on his travels through the north Midlands in 1725.[6]
Isolated stone kept in the cathedral. Might have come from a shrine.
It is likely Langton’s shrine was not in place in the retroquire until May 1360 with the building of the Lady Chapel and then the remodelling of the choir. Where it stood before then is unknown. Its place where there is now a portable shrine to Chad was the work of Bishop Stretton in 1378.
The shrine to St Chad until November 2022.
Reformation, 1534.
In 1536, Richard Layton and
Thomas Leigh visited the cathedral to find ‘superstitious’ items that needed to
be removed according to the edicts from Henry VIII. They stated, pilgrimage is
held to St Chad and inevitably anything to do with this would have to be
removed as part of the Reformation of churches.
It is presumed Chad's
shrine was plundered in 1538 in a way conducted in other cathedrals. Thomas
Becket’s shrine at Canterbury was degraded from August 11 to 19, 1538, and gold
and silver removed sufficient to fill 26 waggons. There is no recorded date
when this happened at Lichfield in 1538 and the manner of desecration is
unknown. Lepine5 thought gold and precious jewels were removed.
Wharton[7]
stated Bishop Roland Lee successfully petitioned the king to keep part of the
shrine for the use of the cathedral. H.E. Savage[8]
presumed the structural feretory was saved, but the accumulated treasures were
removed. There is an account by William Stukeley, 1715, of the defaced St
Chad's tomb being stored in St Peter's Chapel.[9] This
might have been the room above the vestibule and now part of the cathedral
library, but more likely was the retrochoir where it stood originally. It is
not known what happened to the remains which considering its importance is a
mystery. Losing something of this size and weight, no matter how degraded, is
very odd. The spot where the shrine stood was possibly the place where a Paget
monument was raised in 1577 to the memory of William, Lord Paget of Beaudesert,
died 1563, his eldest son and heir Henry, died 1568, and their respective
wives. It was destroyed during the Civil War sieges.
The new shrine has a container for one bone and
stands below a chandelier of candles in an oval shape. It bears no relationship
to Langton’s shrine.
St Chad’s new shrine. Shrine cabinet housing a fereter containing a
bone.
Retrochoir floor
Only three medieval mosaic pavements survive; two
in Westminster abbey at the shrine of St Edward the Confessor and one in
Canterbury cathedral for the shrine of St Thomas Becket. The Cosmati pavements
added to the splendour of the shrines and at Westminster Abbey the tomb of
Henry III. Canterbury’s pavement of cut and shaped stone dates from c. 1182–4 and now lies in front of
the shrine of Becket in the Trinity Chapel located here in 1220.This pavement
could have been the inspiration for Westminster’s Cosmatesque mosaics in the
1260s.[10] It
is possible Langton would also have wanted a similar pavement in the retrochoir
floor.
Lichfield’s ‘cosmati’. This is Henry Moore’s monument organised by G.
Gilbert Scott, 1876, for the archdeacon of Stafford. The cosmati-like
decoration contains green, red, white, blue, black and ochre stones.[11]
[2] Includes a Bishop’s palace on the east
wall and also at Eccleshall, strengthened battlements around the Close, the
upper west front and towers of the cathedral and much more.
[3] A Lichfield Muniment Inventory of 1345 estimated the value
at £2000.
[4] R. N. Swanson, ‘Extracts from a
Fifteenth-Century Lichfield Chapter Act Book’, in A Medieval Miscellany (being
SHC, 4th series, XX, 2004), 129–70 (at 142–3).
[5] D. Lepine, ‘Glorius Confessor: The cult
of St Chad at Lichfield Cathedral during the Middle Ages’. SAHS
transactions, (2021), 33–5 and 51.
[6] W. Stukeley. ‘Itinerarium Curiosum: or
an account of the antiquities and remarkable curiosities in nature and art
observed in travels through Great Britain’. (London: 1776).
[7] H. Wharton, Anglia Sacra, (1691),
I, 457-8.
[8] H.
E. Savage, The Cathedral and the Chapter 1530–1553. Unpub. articled in the
cathedral library, (1927), 8.
[9] An account supposed to be written by W.
Stukeley around 1715 now lost. It is known from a manuscript entitled
‘Commonplace book of collections for Staffordshire History by S. Pegge dated
about 1757 and now MS 302 in the William Salt Library, 243–247. It was recorded
again by N. J. Tringham, ‘An early eighteenth-century description of Lichfield
Cathedral’, South Staffordshire Archaeological and Historical Society Transactions,
(1988), 28, 55–63. T. Cox, Survey of the
ancient and present state of Great Britain, (London: 1738), 254, repeats the assertion the defaced Langton’s shrine
plinth was kept in St Peter’s Chapel after the Civil War restoration. On Gale’s
groundplan of the Cathedral, 1720, St Peter’s chapel is the retroquire, the
location where the plinth shrine always stood.
[10] W. Rodwell, ‘Cosmati at Canterbury
Cathedral? Current Archaeology, (April 2023), 397, 46–51.
[11] G. T. Noszlopy and F. Waterhouse, Public sculpture of
Staffordshire and the Black Country. (Liverpool: 2005), 229.
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