Summary. Jesus said he was the light of the world, and divine illumination has shaped Christian worship, art, and architecture for nearly two millennia. Baptism occurred at Eastertime in a new Spring light. Early Gospels contained glistening gold and silver and called illuminated texts. Gothic architecture embraced windows that flooded churches with light, especially around the altar, reinforcing the symbolism of Christ as the source of spiritual radiance.
Jesus said, “I am the light of the world: he that follows me shall not walk in darkness, but shall have the light of life”.[1] Light is a symbol for holiness, wisdom, grace, hope, and divine revelation, whereas darkness is associated with evil, sin, and despair.St Paul’s catacomb in Malta where an agape meal was held on a stone table close to tombs. The tombs had wall niches which would have held an oil or fat burning lamp. Christian signs were scratched on the walls and the one shown is thought to have been 4th or 5th century. It could be a trident and symbolising the Trinity.
AI gen. secretive
eucharist in a catacomb 3rd-century.
When the Romans accepted
Christianity as their religion in the 4th-century new well-lit churches were
built. A 4th-century inventory of items in the church of Cirta, in Algeria, listed
7 silver lamps, two chandeliers, 7 small brass candelabra with lamps and 11
lamps with chains. Lamps were beginning to be used in large churches in the
early 4th-century.[4]
Constantine I gave to the Archbasilica
of the St John Lateran Church, Rome, two sets of seven 10 ft bronze candelabra
with as many as 120 dolphin-shaped branches, each supporting one or more lamps.[5] When
Constantine's body lay in state, lighted candles on golden stands surrounded
him.
Sometime after 630, a dramatic change in furnishing the church occurred in Britain. Rough timber oratories changed into rectangular stone churches with glazed windows. Books were illustrated and pages painted with vivid pigments. Singing and playing music was encouraged. If God was the light of the world, then the church would reflect his illumination. It contrasted with dark pagan temples. Aldhelm, Abbot of Malmesbury and Biship of Sherborne, described the church of St Mary built by Bugga in a poem, 689–709, which gives an insight into a late 7th-century church. It was described as rectangular, lofty and with 12 altars. It glowed within with gentle light, presumably from oil lamps or bee’s wax candles. It had glass windows. The altar cloth glistened with gold twisted threads. A gold chalice had jewels attached and the paten was silver. A main cross was burnished gold and silver and had jewels attached. A metal censer embossed on all sides hung down by chains and through openings, it let out the smell of frankincense.
AI gen. Bugga’s church of St Mary, late 7th-century.
AI gen.
Venerable Bede writing the first reliable English History published 731. It
would have been written in a cloister cell with much window light.
Eighth
century Gospel books, such as St Chad’s Gospels, were illuminated, that is, decoration
included gold or silver, or other bright, luminous colours.[6] Illumination
could be richly coloured and decorated lettering, elaborate tracery in the
text, margins, or borders, and other ornamental or pictorial features. They
had painted pages to illustrate symbolically parts of the Bible. Some hold such
texts must have gold and silver pigments which can reflect the light to justify
being illuminated.
An
illuminated page of the St Chad’s Gospels.
The timing of church events was
important in the 7th-century. The Synod of Whitby settled the dating of Easter.
It was established at the Spring Equinox, falling on the 19, 20 or 21 March
when the length of day equalled the length of night. At the first full moon
that followed, the 24 hours for that day was filled with full moonlight and
full sunlight (assuming no clouds) and thus light had overcome darkness. Easter
was then the first Sunday to follow. This calculation, Computus,
emphasised Jesus’s word.
Having strong light in a church was
essential for Gothic architecture. Large windows let in much light, especially shining
on the altar. This has been traced to the centrality of the eucharist. See the
post, ‘Lady Chapel’.
AI gen showing illumination of altar with communion vessels.
Transepts had their narrow lancet windows replaced
with wider compound windows with fine tracery. The triangular windows near the
roof of the nave brought much light into the upper clerestory. Opening up the
dark inner church, choir and presbytery in Lichfield’s cathedral by George
Gilbert Scott in the 1850s by removing plaster between the columns and taking
down the wall by the crossing was part of this move to enhance lighting the
cathedral.
This illumination of the altar
might also explain why churches usually face eastwards. The rising morning sun
shines through the east windows and gives, like God, a new dawn. This would be
even more evocative at Easter.
Choir stalls
with candles and overhead electric lighting.
High altar
candle. Candles on the altar did not occur before the 12th-century.
Candles lit for remembering Ukraine
Paschal candle lit either in the late Saturday or early Easter Sunday morning service. It is also used for lighting baptismal candles.
1]
NRSV John 8 v 12.
[2]
The ceremonial use of light occurs in the Jewish, Zoroastrian and Hindu rites
and customs. Jewish temples can have an eternal lamp. Certain religions have
fire-worship.
[3]
NRSV Hebrews 6 v 4.
[4]
Recorded in the Liber Pontificalis. Volume 1 173–6. Also called the book
of the popes.
[5]
Ibid, 173–6.
[6]
Gold or silver has not been found in St Chad’s Gospels, but that does not mean
it never had the bright metals. Overuse of the book could have dislodged any
metal attached to the vellum.





